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Schola Antiqua of Chicago : ウィキペディア英語版
Schola Antiqua of Chicago
Schola Antiqua of Chicago is a professional American early music ensemble based in Chicago, Illinois. The group specializes in vocal music before the year 1600 and is the 2012 winner of the Noah Greenberg Award from the American Musicological Society, an award that recognizes "outstanding contributions to historical performing practices." In 2006-7, Schola Antiqua served as Artist in Residence at the University of Chicago, and the group currently holds an artistic residency at the Lumen Christi Institute. Schola Antiqua of Chicago performs mainly in Chicago but has also presented concerts around the United States. The choir is under the artistic direction of Michael Alan Anderson from the Eastman School of Music.
==History==
Founded in 2000, Schola Antiqua of Chicago states that its mission is to provide audiences with the highest standards of research, performance, and education involving many under-served repertories in the pre-modern canon of western vocal music. Led by scholars in the field of early music, the organization develops programs with works that are not only seldom heard, but often newly transcribed for performance. Frequently, the ensemble presents pieces that have been the subject of academic scholarship in the field of early music.
Calvin M. Bower, Professor Emeritus of the University of Notre Dame and currently a researcher at the Bavarian Academy of Sciences and Humanities, was the Artistic Director of Schola Antiqua from its inception until 2008. Bower specializes in the history of the medieval sequence. Consequently, Schola Antiqua's programs in the early years often included Notker’s sequences and other monophonic settings. The ensemble’s second Artistic Director, Michael Alan Anderson, more broadly researches the role of plainchant and polyphony in devotion, ritual, and political cultures of the late Middle Ages and Renaissance. Some of Anderson's research agenda is likewise embedded in the ensemble’s past and current programming.
Responding to the wide range of vocal forces required to sing plainchant and polyphony written before 1600, Schola Antiqua does not employ a set roster of singers for its programs. Rather it draws on a pool of professional vocal specialists in Chicago to suit the needs of each individual program. Rosters have ranged from six to ten members (male and female). The ensemble’s lone venture outside the pre-1600 repertory was a collaboration in 2011 with members of two GRAMMY award-winning ensembles (eighth blackbird and Pacifica Quartet) to present a new work of sacred music by composer Jacob Bancks.
Beyond its Chicago-based concert series programming, Schola Antiqua has received invitations to perform from the Morgan Library & Museum in New York City, the Indianapolis Early Music Festival, Chicago’s Newberry Library, the Cathedral of St. John the Evangelist (Cleveland), the Chicago Cultural Center, the University of Chicago, the University of Notre Dame, the American Guild of Organists, and other institutions across the Midwest. Reviews of Schola Antiqua’s recordings have appeared in ''Fanfare'', ''Early Music America'',〔(【引用サイトリンク】title=Recording Reviews )〕 ''Journal of Plainsong and Medieval Music'',〔(【引用サイトリンク】title=The recording itself, the work of Calvin Bower and his Schola Antiqua of Chicago, is nevertheless a valuable addition to the publication. )〕 and ''Notes'' (Music Library Association). Their albums have aired internationally on the radio programs ''With Heart and Voice'', ''Millennium of Music'', and ''Harmonia''.
Schola Antiqua maintains a close relationship with academic circles. The ensemble recorded the accompanying CD for Theodore Karp’s monograph ''Introduction to the Post-Tridentine Mass Proper, 1590-1890'' (American Institute of Musicology, 2005). Margot Fassler's ''Music in the Medieval West'' (W.W. Norton, 2014) further includes several musical excerpts recorded by Schola Antiqua. In 2006-7, the group served an artistic residency at the University of Chicago, an honor typically given to instrumental ensembles. The residency presented a rare opportunity to offer a slate of performances, workshops, and lecture-recitals. As part of the Noah Greenberg Award, Schola Antiqua collaborated with University of Oregon music historian Lori Kruckenberg on a project entitled "Sounding the Neumatized Sequence," in which the ensemble recorded and archived a set of special liturgical sequences that feature melodies both with and without text (called “neumatized” sequences).〔(【引用サイトリンク】title=AMS--Greenberg Award Winners )

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